Reception for two shows at Middlesex Community College next Monday, February 6

Middlesex Community College Pegasus Gallery
100 Training Hill Road, Middletown, 1-800-818-5501
Daniel Mosher Long: Eye/Object in the Pegasus Gallery
(Pegasus Gallery is located within the library on the first floor of Chapman Hall)
Jan. 30—Mar. 2, 2012.
Also on view in the Niche Gallery:
Tracy Walter Ferry: Genetically Modified Organisms in the Niche Gallery
(The Niche is located on the first floor of Founders Hall)
Jan. 30—Mar. 2, 2012.
Joint Artists' Reception: Mon., Feb. 6, 4:30—6 p.m. at The Niche and in the Pegasus Gallery.

Press release

Daniel Mosher Long’s still life photographs combine domestic, utilitarian, and natural materials in unexpected ways. These color-saturated images are closely cropped and appear to occupy a real rather than an illusionistic two-dimensional space. Juxtapositions of insect specimens, fine dinnerware, animal bones, flowers, fabric, vintage advertisements and antique packaging offer narratives associated with the past in as much as their time here in the present.

Long received an M.A. in Photography from Purdue University and an M.A. in Higher Education Administration from the University of Connecticut. He has exhibited his work nationally and is Professor of Photography & Coordinator of the Visual Fine Arts Photography Option at Manchester Community College.

Long's photographs will be on view in the Pegasus Gallery through Mar. 2.

The assemblages of Tracy Walter Ferry are influenced by processes of microbiological and genetic experimentation. Inspired by her work as a registered nurse, these mixed media sculptures are anatomical in nature and combine contrasting components and materials. Balloons, children's toys, baby nipples, x-rays, fabric, thread, medical and building hardware are manipulated into striking organic forms that balance the sharp, soft, fragile and resilient.

Ferry received an M.F.A. from the Hartford Art School and has exhibited her work throughout the east coast. Her assemblages will be on view in The Niche through Mar. 2.

There will be a joint Artists' Reception on Mon., Feb. 6, from 4:30—6 p.m. in The Niche and at the Pegasus Gallery.

Opening reception Saturday for Paulette Rosen show at City Gallery

City Gallery
994 State St., New Haven, (203) 782-2489
Paul Rosen: New Work: Nests, Drawings & Dioramas
Feb. 3—27, 2011.
Opening reception: Sat., Feb. 5, 3—6 p.m.

Press release

An exhibit of new work by City Gallery member Paulette Rosen will be on display for most of the month of February at the gallery on State street in New Haven. There will be an opening reception for the show this Saturday from 3—6 p.m.

Paulette Rosen’s pencil drawings on digital scans are haunting images of birds and nests. Her large nests of woven branches and miniature box dioramas work together to illustrate the patterning and perspective of the world of birds.

Fine work by two new City Gallery members

City Gallery
994 State St., New Haven, (203) 782-2489
Two New Members: Boxes, Drawings & Assemblages: Paulette Rosen and Karen Wheeler
Closed.

For Karen Wheeler, a recent transplant to New Haven from North Carolina, the work on display in her first City Gallery show is the fruit of a creative evolution. According to Wheeler, over the past few years she has moved from printmaking to papermaking—"flat papers with lots of pigments and shapes"—to incorporating handmade paper objects in wall sculptures.

Many of Wheeler's assemblages in the show are built around vessels created from handmade paper. She uses different pigments and collage elements to make her paper. The wet paper pulp is shaped around either loosely formed baskets or bags of sand inside socks, which can be emptied and removed when the paper dries. The dried paper has a hard, brittle surface akin to ceramics. Where the vessels formed around the bags of sand look like miniature pottery, those encrusted around the loose baskets resemble exotic decaying nests.


Most of her assemblages in the show are relatively small. One of the two large assemblages, "Connection: Home," includes items related to her husband who works with computers. Circuit boards, a small computer fan, a digital camera lens. Other items reference the concepts of home or connections: a dollhouse cabinet, golden chains. All are mounted on a large painted panel.


It is a rigorous composition with deft consideration of both symmetry and asymmetry. The turquoise blue paint on a small shelf that horizontally bisects the piece highlights Wheeler's pleasing use of color. The backing panel adds extra energy. The surface is built up with molding paste over which Wheeler has layered glazes in shades of green with inflections of orange and gold. A lush use of color and an attention to texture and surfaces characterizes all Wheeler's works shown here.

Paulette Rosen began birdwatching about six years ago. She tells me that when learning to identify birds, a birder often has to rely on small snippets of information glimpsed through branches or brush. Her new hobby got her back into drawing; her primary medium has long been book art. Many of her works displayed at the gallery are drawings of birds using ballpoint pen, colored pencil and gouache.


These drawings have a gestural feel: quick, attentive studies of feathers, claws, heads. Rosen has an appreciation of the aesthetics of birds as forms, an interest in the complexity of their coloration and the textures of their feathers. The gestural approach has a subsidiary payoff, implying the innate swiftness of birds as though they are darting in and out of our field of vision.

Rosen's skills as a bookbinder are employed in two different series of boxes. One set references the human impulse to collect: a box with layers of translucent and shiny mica; a dark, blue-edged box (with clear plastic sides) loosely layered with blue jay feathers; a long scarlet box with toothpick-like quills of a roadkill porcupine.

Five small boxes in the back of the gallery are like little art books. (Rosen tells me they are "half-clamshell" designs.) Each tells a tiny poem-like story through a combination of collage, text and the placement of tiny plastic toy figures. They are delicate and beautiful, miniature reminders of the worlds within books.

New Members show opens Saturday at City Gallery

City Gallery
994 State St., New Haven, (203) 782-2489
Two New Members: Boxes, Drawings & Assemblages: Paulette Rosen and Karen Wheeler
Feb. 4—28, 2010.
Opening reception: Sat., Feb. 6, 3—6 p.m.

Press release

Paulette Rosen's pencil drawings and boxes housing natural objects strive to record snippets of the natural world, especially birds. The arrangements intend to reference early natural history specimen collectors. Her miniature box dioramas present both a playful and serious perspective on life from the point of view of a 1" figure.

Karen Wheeler's assemblages feature handmade paper vessels combined with richly textured painted panels, drawings, digital collage and found objects. Her work contains references to architectural enclosures, altars and reliquaries as she creates objects that reflect her own sense of sacred spaces.

There will be an opening for this show this Saturday, from 3—6 p.m.