Dedicated to covering the visual arts community in Connecticut.

Wednesday, January 09, 2013

Sunday artists' reception at Kehler Liddell Gallery

Kehler Liddell Gallery
873 Whalley Ave., New Haven, (203) 389-9555
Blue Matters: John Harris & Kristina Kuester-Witt
Jan. 10—Feb. 3, 2013.
Opening Reception: Sun., Jan. 13, 3—6 p.m.

Press release from Kehler Liddell Gallery

Blue Matters: John Harris and Kristina Kuester-Witt share the subjects of blue and matter, in two distinct exhibitions. The works are on view Jan. 10 through Feb. 3, 2013 with an Opening Reception on Sun., Jan. 13 from 3—6 p.m.

Harris frequently focuses his attention and ours on natural and organic abstractions. In this exhibition he explores water’s physical properties including reflection, turbidity, rhythm, and pattern by isolating a moment in time in a subject that knows nothing of constancy. The large-scale paintings expose various environmental complexities revealing the disguises of water. A repetitive process of applying paint and glazes results in a visual dramatization conceptually harmonious with water.

John Harris: "Gyro 2"


Kristina Kuester-Witt, a painter and a printmaker, explores the duality in aspects of human life. Neutral colored figures interact with various blue colored, undefined, material substances. The interactions occur with a variety of matter reflecting the counterpart or duality evident in the scene. Frequently an upside-down figure is employed as a metaphor further exploring the complexity of particular aspects of human experience.

Kristina Kuester-Witt: "The Matter II"


In a new series the possibilities and dangers of DNA research are explored. A dialog is opened through a use of visuals exploring what choices may mean in an area once the purview of biology without the interference of personal preference.

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Thursday, January 27, 2011

Sunday opening at Kehler Liddell Gallery in New Haven

Kehler Liddell Gallery
873 Whalley Ave., New Haven, (203) 389-9555
I…and Love…and You
Jan. 27—Mar. 6, 2011
Opening reception: Sun., Jan. 30, 3—6 p.m., with Artists’ Talk at 3 p.m.

Press release

Kehler Liddell Gallery is pleased to present I…and Love…and You, a group exhibition of paintings, photographs, sculpture and works on paper that examine the contemporary complexities of honest communication in exchanges related to love. Artists include: Joseph Adolphe, Edith Borax-Morrison, Amy Browning, Frank Bruckmann, Jason Buening, Susan Clinard, Rod Cook, Emilia Dubicki, Matthew Garrett, John Harris, Lisa Hesselgrave, Gigi Horr Liverant, Blinn Jacobs, Keith Johnson, Kristina Kuester-Witt, Lawrence Morelli, Hank Paper, Joseph Saccio, Gerald Saladyga, Deirdre Schiffer, Alan Shulik, Gar Waterman and Marjorie Wolfe.

The title of the exhibition references an indie-folk song by the Avett Brothers that tells the story of a man who cannot utter the simple phrase “I love you.” He is plagued by the radical differences between speaking and acting on feelings of love and hate. He fights with words, preferring verbal attacks to physical attacks, and loves with action, preferring courtship to intimate profession.

The show will illuminate the great love dysfunctions of our time, place and culture by addressing the quiet underpinnings of love and its converse aspects, such as: romance and sex, ambiguity and directness, polygamy and monogamy, naiveté and maturity, honesty and deceit, and madness and betrothal.

A selection of works will investigate the psychological dimensions of love that arise in Harold Pinter’s 1963 play, “The Lover.” The 50-minute play follows the erotic escapades of a long-married British couple that engage in an afternoon of fantasy role-playing. The husband makes 3 visits to his house as an illicit “lover,” assuming the role of a young park keep, an aggressive mugger and a kidnapper. The couple forces each other into and out of jealousy in a series of small actions that raise the drama to uncomfortable boiling points.

During the run of “I and Love and You”, Elm Shakespeare Company will perform eight nights of “The Lover.” The theatrical stage will occupy the center of the gallery, and seating will take place in the round, so that the set and audience will be surrounded by the works. In this setting, the play will act out themes expressed in the images: power struggles, verbal dominance, game playing, moving beyond reason, and falling out of love.

Performances will take place February 3—6 & 10—13; Thursday-Friday: 8 p.m.; Saturday: 8 and 10 p.m.; Sunday 4 p.m. Tickets are $20 in advance, $25 at the door. The Special Benefit Performance will take place on Friday, February 11, 6:30 p.m., $75 per ticket; hors d'oeuvres and wine will be served. Please visit the Elm Shakespeare Company Web site for tickets.

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Wednesday, January 05, 2011

Sunday opening at Silvermine for three shows

Silvermine Guild Art Center
1037 Silvermine Rd., New Canaan, (203) 966-9700
Director's Choice: Karen Hillmer
Sergio Gonzalez-Tornero: At the Tribal Carving Shed
New Members Exhibition
Jan. 9—Feb. 20, 2011.
Opening Reception: Sun., Jan. 9, 2—4 p.m.

Press release

Winter exhibits at Silvermine Guild Arts Center, located in New Canaan, CT always brings the highly anticipated Annual New Guild Members show plus exciting exhibitions featuring South America’s finest modern printmaker, Sergio Gonzalez-Tornero and Director’s Choice, Karin Hillmer. All are welcomed to the opening reception on Sunday, Jan. 9 from 2—4 p.m. The exhibits will run through Feb. 20, 2011.

Director’s Choice, Karin Hillmer, is a painter, a photographer and above all a storyteller. Her pictures represent a new reality—maybe “surreality"—shaped by a lifelong interest in philosophy, history, art invention, music and science. Her images combine the avant-garde with the historic, have a deep intellectual reference, are enigmatic and humorous, mysterious, and original. They also combine Renaissance and technology, genetics and Botticelli.

The meaning and experience of time has always been central to Hillmer. Researching this topic led her to the Argentine poet and writer, Jorge Luis Borges. His enigmatic fictions inspired her current work, Infinity & Dreams: photographs inspired by the short stories of J.L. Borges, where she explores visually the concepts of time and the infinite moment as it pertains to dreams or different forms of reality.

“The characters in my photographs, as in Borges’ fiction, represent the human experience; they are independent of space-time and connect the past, present and future in unexpected ways. My images have several layers of meaning, some obvious, others only revealing themselves over time. I invite the viewers to engage in a dialogue with my photographs, to explore this journey and to find their own personal experience along the way,” explains Hillmer. Photography itself, a product of the scientific process, has evolved into exciting new frontiers to give the artist innovative forms of expression. In Hillmer’s work the camera is no longer directed at one single object in a single moment, but explores multiples of space and time merging into a new visual landscape.

One of South America’s finest modern printmakers, Sergio Gonzalez-Tornero’s current works in his exhibit At the Tribal Carving Shed” are a fusion of two distinct entities: a compulsion towards modernist form with its abstract notion and a fascination with the historic cultures of the Pacific Northwest.

“I respond to their art above all, which I choose to see as a deeply spiritual and gloriously formalist view of life. I like to think that my work is an outsider’s painterly and ongoing romantic adventure into the spirit of the First Nations of the Northwest Coast of North America,” states Gonzalez-Tornero.

This connection began with the first of many visits to Haida Gsaii, “Land of the Haida,” also known as the Queen Charlotte Islands, an archipelago located 100 miles off the coast of British Columbia and Alaska. The unique signature element of Sergio’s paintings is his use of red and white. For Gonzalez-Tornero, red serves as a substitution for black. He feels that black is a cold and lifeless color and by using red, he is infusing energy and life into his works. According to The New York Times, “His way of putting paint to canvas shows how texture and volume can be represented by using fairly heavy-handed, and somewhat unusual, cross-hatching techniques. His emphasis on line may remind some of woodcuts, where the white of the paper, or in this instance, the white of the painted areas, suggests the pristine voids common to most woodcut prints.”

Each year in the spring and fall, new members are selected through a jurying process into the Silvermine Guild of Artists. The Guild of Artists is a distinguished group of professional artists comprised of over 300 members who work in a wide array of media and are represented in museums, and prestigious private and corporate collections. Selection into the guild is based on several criteria such as creativity, uniqueness or timeliness, excellence of technique, compelling notion or idea, cultural or social relevance, professional presentation of work, clarity and continuity of style, and professional accomplishment.

The New Members Exhibition will showcase the works of eleven new Guild Artist members inducted in the spring and fall of 2010, representing a variety of media. The new members include:

Amy Bilden (Web) of Greenwich, CT (sculpture);
Kerry Brock (Web) of Weston, CT (printmaking);
Sharon Cavagnolo (Web) of Mount Kisco, NY (painting);
J. Henry Fair (Web) from New York, NY (photography);
John Harris (Web) from Norwalk, CT (painting);
Mindy Horn (Web) of Weston, CT (ceramics);
Jane Lubin (Web) of Westport, CT (mixed media);
Anca Pedvis (Web) of New York, NY (painting);
Connie Pfeiffer (Web) of East Haddam, CT (sculpture);
Margaret Roleke (Web) of Redding, CT (wall relief); and
Anita Soos (Web) from Guilford, CT (drawing).

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Thursday, September 30, 2010

Opening at Kehler Liddell this Sunday during CWOS

Kehler Liddell Gallery
873 Whalley Ave., New Haven, (203) 389-9555
Keith Johnson and John Harris
Sept. 30—Oct. 31, 2010
Opening reception: Sun., Oct. 3, 3—6 p.m., with Artist Talk at 3 p.m.

Press release

Kehler Liddell Gallery is pleased to present a two-person exhibition of new works by painter John Harris and photographer Keith Johnson. This will be Harrisʼs debut at Kehler Liddell Gallery, and Johnsonʼs third show.

John Harris isolates and exaggerates forms, colors and sequences found in nature. His large-scale, photorealist paintings take months to complete, as he meticulously works to recreate various environmental complexities from photographs and memory. His process begins with mapping out large shapes of color on his canvas, the paint is allowed to dry and then details are added. The repetition of this careful glazing technique results in the dramatization of hundreds of translucent layers—a visual effect that is conceptually harmonious with its subject: water.

Harris is most interested in exploring waterʼs physical properties-- reflection, turbidity, rhythm, pattern, that make up its unique viewing experience. He addresses these issues by isolating a moment in time in various bodies of water, painting from a birds-eye view. The result is a series of hypnotic and fleeting images, in which water is disguised as tree canopies and the skies above.

Keith Johnson photographs environments with the control and excitement of an anthropologist excavating a new civilization. Johnson is captivated by the hidden language of images, and makes photographs to explore 1) the intrinsic meaning of images, 2) how and why these meanings change over time, and 3) how position, context and presentation affects their meanings.

Johnson photographs a wide range of subject: landscapes, cityscapes, waterscapes, interiors, isolated forms, aerial panoramas. The exhibition will feature new work from his Grid Series and Extended Landscape Series, in which Johnson presents multiple photographs as one work. His presentations vary from involved grids of 4 images across by 4 images down, to simpler triptychs of 3 large images across. The works challenge the traditional notions of photography by implying that sometimes a single photograph does not aptly describe the idea.

There will be an opening reception for this show this Sunday from 3—6 p.m. during City-Wide Open Studios.

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