Fairfield Arts Center70 Sanford St., Fairfield, (203) 319-1419
FACes and Places: Art Behind the Scenes$75 for FAC members, $95 for non-members.
Press release
The Fairfield Arts Center presents a new program for the community called
FACes and Places: Art Behind the Scenes. With this new program series,
FACes and Places strives to give art collectors, arts enthusiasts, and the general public access to Fairfield County’s vast arts community by introducing the faces behind the art and the place where their art is created. The program will kick off with three studio tour events featuring artist studios or live/work spaces in Bridgeport. Known for its empty factory buildings, Bridgeport has become artistic home of many area artists from around Fairfield County who have worked with building owners to repurpose the factory spaces and turn them into hubs of creative energy. The three studio buildings that FAC will showcase are the American Fabrics Arts Building, 305 Knowlton, and Read’s ArtSpace, a live/work space downtown Bridgeport.
Each tour will guide a limited number of guests from studio to studio. At each stop, the guests
will have the opportunity to hear the artist talk about their background and their work. Guests will have an intimate look at the artists work in their studio. A light catered lunch and wine tasting will be provided in one of the artist’s studios. Guests are invited to linger after the program to visit with the artists and explore the studios. Each
FACes and Places tour will be $75 for FAC members and $95 for non-members. Due to the limited number of spaces, guests are requested to purchase tickets in advance by visiting the
Fairfield Arts Center Web site or calling (203) 319-1419.
The first tour will take place on Thurs., June 2 from 10 a.m.—3:30 p.m. at the American Fabrics Arts Building. 15 Studios will be featured and include
Denyse Schmidt Quilts (Bridgeport),
Lisie Orjuela (Trumbull),
Brechin Morgan (Milford),
Judith Corrigan (Shelton),
Ulla Surland Interior Design (Fairfield) among other noted artists in the area. Lunch will be held in the studio of
Janine Brown who is also from Fairfield.
The American Fabrics Art Building, once housed the American Fabrics Company. The factory was built around the 1920's, and was once a hub of the textile industry, specializing in the manufacture of linen, lace and knits. The factory buildings at that time were built with large windows to provide light and fresh air during the summer months, which provides a perfect setting for an artist loft building. Manufacturing activity at the factory began to decrease in the 1960's and by the 1970's the entire industrial complex was abandoned. A handful of artists started to rent space in the building several years ago and in 2009, the current owner of the building, Westrock Development, LLC., renovated the building turning the second, third and fourth floors into artist’s studios.
The Fairfield Arts Center (FAC) is a not-for-profit, local municipal arts agency dedicated to enriching the cultural experience of the members of its community. In support of Fairfield’s arts and artists of all disciplines, FAC seeks to integrate the creative process into the daily lives of the Town’s 60K residents by providing access through opportunity, education and outreach. FAC is funded in part by the Connecticut Commission on Culture and Tourism, the National Endowment for the Arts and the Fairfield County Community Foundation.
(Image: "Sienna Aspens," linoleum cut print by Janine Brown.)
Labels: Brechin Morgan, Denyse Schmidt, Fairfield Arts Center, Janine Brown, Lisie S. Orjuela, Ulla Surland
extensively throughout New York and Eastern Connecticut. Influenced by Alexander Calder, Mark di Suvero and Richard Serra, with whom he worked, Waters seeks balance in his art that allows the viewer to concentrate on pure line and shape without compositional distractions. He focuses on “drawing in space” and transforms two-dimensional lines and shapes into three-dimensional objects; his goal is to actively engage his audience with his method of assembly using geometric and organic contours to attain an overall sense of harmony amidst the duality created by his effective use of contrast.
